The September 11-13 streaming window offers a remarkably useful answer to the eternal question of what to put on when every app appears to contain 8,000 choices and none of them seem to be a choice. This weekend’s slate spans comic-book spectacle, awkward workplace comedy, a high-stakes missing-person thriller, French showbiz farce and the final chapter of an Australian relationship comedy.

The five prominent options also cover several viewing habits. Supergirl is a movie-sized pick for viewers who want capes, Krypto and a new DC Universe story. The Paper season 2 and Colin From Accounts season 3 are each available as full-season binges. Last Seen is for people willing to embrace the weekly-release ritual, while Call My Agent! The Movie makes a compact reunion feature out of a beloved TV comedy.

Availability differs between the United States and United Kingdom on some services, so the important details are included below. There are no featured Prime Video or Disney Plus selections in this particular group, leaving the focus on HBO Max, Peacock, Apple TV, Netflix, Paramount Plus, Sky One/NOW and BBC iPlayer.

Supergirl brings Kara Zor-El to HBO Max

Where to watch: HBO Max in the US and UK

Supergirl arrives at home after a theatrical run that did not translate into major box-office momentum. Its receipts reportedly fell below those of Joker 2 and Morbius, two films frequently discussed as commercial disappointments. That context may cause some viewers to approach the movie cautiously, but a box-office result does not automatically settle whether a film is worth a watchlist slot—especially for audiences tracking the larger DC continuity.

Milly Alcock plays Kara Zor-El, and her performance is a central reason the movie may appeal beyond pure completionists. The film is positioned as the second entry in James Gunn’s DCU Chapter One. Its placement in the timeline also matters: it comes before Man of Tomorrow, the forthcoming Superman sequel expected next summer. For anyone trying to keep current with the expanding shared universe, that makes Supergirl a particularly timely selection.

There is also Krypto. The presence of Superman’s famously good canine companion gives the story an additional point of connection for viewers who responded to the character’s return in the newer DC era. Superhero films can arrive carrying a lot of franchise homework, but this one has a comparatively easy pitch: a new lead character, a significant place in the current DC plan and more time with a super-powered dog.

The movie is the weekend’s clearest option for a group viewing, or for a solo night when a full feature sounds preferable to committing to a ten-episode season. It may be especially suitable for fans who want context before the next big-screen DC release rather than trying to catch up later.

The Paper season 2 makes the case for a newsroom binge

Where to watch: Peacock in the US; Sky One and NOW in the UK

All 10 episodes of The Paper season 2 are now streaming, meaning its viewers do not have to ration a workplace-comedy fix one episode at a time. The series is a spin-off of the US version of The Office, and it moves its mockumentary-style interest in flawed coworkers and institutional dysfunction into a local newspaper newsroom facing decline.

That setting carries an inherently different kind of pressure from Dunder Mifflin. A dying local paper is a workplace where budget stress, professional ideals and strange office personalities can all collide, which gives the show a foundation for goofy character business and sharper jokes alike. It also makes room for a familiar TV engine: a will-they-won’t-they romance that can develop amid deadlines and disorder.

Greg Daniels, who created the US The Office, is involved, though viewers should not expect the series simply to equal its enormously popular predecessor. It is better understood as a lighter, enjoyable offshoot that recognizes the virtues of the older show without being able—or needing—to recreate every part of it. Domhnall Gleeson plays editor Ned Sampson and serves as the comic focal point.

There is a direct Scranton connection, too. Oscar Martinez, a supporting character from The Office, appears in The Paper. The appearance adds a little extra appeal for longtime fans and keeps open the amusing possibility that other familiar faces could someday cross over. For readers interested in how television history, reunions and familiar casts retain cultural pull long after a show’s first run, the site’s look at major TV reunions planned for the 78th Emmys provides a useful companion read.

Because the entire season is available, The Paper is ideal for the viewer who wants a low-friction weekend marathon. The episode count is substantial enough to feel like a proper binge, but not so huge that it takes over every waking hour from Friday through Sunday.

Last Seen opens Apple TV’s first Australian original

Where to watch: Apple TV in the US and UK

Last Seen is Apple TV’s first Australian original, and it begins from a haunting premise. Patrick Brammall stars as Ian Ridely, a former police chief living in a fictional port town. Eleven years before the series begins, his 3-year-old daughter vanished. Ian has since taken work running emergency phone lines, a job that leaves him close to the crises of strangers while he remains unable to resolve the defining crisis of his own life.

A mudslide then appears to uncover his daughter’s body. Soon afterward, Ian receives an emergency call from a young woman whom he believes could be the daughter he lost—now a teenager. The chain of events pushes him into a search for answers and makes the show’s mystery intensely personal from the outset.

The series is adapted from a novel and directed by Christian Schwochow, whose credits include The Crown. The first two episodes have launched together, with further episodes scheduled weekly on Wednesdays. That rollout gives viewers an opening double bill while preserving the slower suspense of a serial mystery, rather than delivering every answer in one sitting.

Brammall’s presence makes this an especially interesting weekend for Australian television fans, because he also leads another highlighted title, Colin From Accounts. The two projects demonstrate radically different uses of the same performer: a former chief of police searching for his missing daughter in one, and one half of a chaotic romantic pairing in the other. Anyone seeking a tense, plot-forward drama should begin with Last Seen, but should also be prepared for the wait between subsequent chapters.

Call My Agent! returns as a movie-length reunion

Where to watch: Netflix in the US and UK

Five years after the fourth and final season of Call My Agent!, the former ASK talent-agency crew is back in Call My Agent! The Movie. The feature continues the story in real time, half a decade after ASK closed. Andréa is now directing a movie, only for the project to hit a major problem when its lead actor leaves. Reassembling the old team becomes essential to getting the production back on track.

That setup preserves the franchise’s strongest comic territory: entertainment-industry ego, logistical calamity and the professional improvisation required when famous people and fragile productions collide. The movie works as a comedy in its own right, but its reunion element is likely to be the real draw for viewers who spent four seasons with the ASK staff.

Celebrity appearances were a defining pleasure of the original series. Sigourney Weaver was among the recognizable names to make an appearance during its run, and the movie also includes major Hollywood cameos. Going in without knowing every guest is likely the most rewarding approach, since part of the fun is seeing who enters the increasingly complicated production.

At feature length, this is the most convenient choice for someone who wants a polished comedy without signing up for a full series. Previous viewers have the advantage of emotional history with the characters; newcomers get a show-business emergency plot that is easy to understand on its own terms.

Colin From Accounts season 3 closes Gordon and Ashley’s story

Where to watch: Paramount Plus in the US; BBC iPlayer in the UK

The third season of Colin From Accounts is now available in full, and it is also the show’s final season. The Australian comedy centers on Gordon, played by Patrick Brammall, and Ashley, played by Harriet Dyer. They are an ill-matched pair whose lives become entangled through an injured dog named Colin From Accounts—a name that is deliberately more intelligible once the series is underway.

Season 2 ended with a failed proposal and what looked like a definitive split. Season 3 picks up the question that has powered much of the series: can Gordon and Ashley’s bond survive the many ways they seem poorly suited to each other? Their connection is messy, funny and continually vulnerable to self-inflicted complications, which is precisely why the possibility of reconciliation carries weight.

Brammall and Dyer are married in real life, but the show’s appeal is not built on making Gordon and Ashley effortlessly charming. Their characters can be frustrating, impulsive and plainly wrong for one another in certain respects. The comedy thrives in that friction, while the emotional hook comes from the difficulty of giving up on them completely.

With every episode ready to stream, the final season is a strong weekend option for established fans who need closure and for viewers wanting a character comedy with a high joke rate. Its availability alongside Last Seen also creates an accidental Patrick Brammall double feature—one driven by romantic mishaps and an injured dog, the other by grief, uncertainty and a troubling emergency call.

A quick way to choose this weekend

  • Choose Supergirl for a DCU entry, Milly Alcock’s Kara Zor-El and Krypto.
  • Choose The Paper season 2 for 10 episodes of declining-newspaper workplace comedy and a connection to The Office.
  • Choose Last Seen for a darker Australian mystery, with two episodes available before weekly Wednesday installments.
  • Choose Call My Agent! The Movie for a French comedy reunion and entertainment-world chaos.
  • Choose Colin From Accounts season 3 for a completed, binge-ready final season about Gordon, Ashley and the aftermath of a failed proposal.

The common thread is flexibility. Whether the goal is to keep up with superhero continuity, laugh at professional dysfunction, solve a mystery episode by episode or spend a few more hours with returning TV characters, the September 11-13 lineup has a distinctly different lane for each mood.