Marvel has laid out a broad early look at its 2027 comic-book plans, with a notably interconnected lineup spanning Spider-Man, the Avengers, the X-Men, Hulk, Captain Marvel and manga-inspired reinterpretations of familiar heroes. The largest immediate story is Crisis of Faith, a Spider-Man crossover due in April 2027 that puts Peter Parker and Miles Morales on opposite sides of a growing trust problem.

But the announcements are not all crossover-scale fireworks. A new ongoing Captain Marvel series will put Carol Danvers through a personal and cosmic reckoning after Avengers: Armageddon; Magneto: End of Days will examine the mutant leader’s long, contradictory history through multiple perspectives; and X-Men: Regulators heads into an earlier historical era to confront anti-mutant persecution alongside real-world racism. Marvel also has a January one-shot, Immortal Soldiers, framed around a public that has lost faith in superheroes, plus the concluding event of Phillip Kennedy Johnson and Nic Klein’s Hulk run.

At the far end of the calendar sits the deliberately unclear June 2027 teaser: 1 Day, or at least a project that appears to use that name. Its message—“Tomorrow is one day away” and “no one is promised the future”—offers an ominous date but no confirmed format, creative team, characters or plot. That uncertainty is intentional for now.

Crisis of Faith makes the two Spider-Men the central fault line

Crisis of Faith, by Joe Kelly and Bryan Edward Hill, begins in April 2027. Its fundamental setup is not a team-up but a rupture: Peter Parker and Miles Morales will unite, yet their relationship is expected to be severely damaged by what each has kept from the other.

The announced premise points to secrets on both sides. Peter’s decision-making has reportedly become increasingly reckless since Hellgate punched him into space, and those choices will come to light. Miles, meanwhile, has been spending time with company Peter finds troubling. The precise nature of those actions and associations has not been detailed, so readers should treat the rift—not any particular betrayal—as the confirmed core of the event.

That is a useful distinction. A crossover is a story designed to connect multiple characters or titles, often making its stakes bigger than a normal single-series arc. It does not automatically mean every ongoing Spider-book will be required reading. No reading order, tie-in list or participating issue count has been announced here. What is clear is that Marvel is positioning Peter and Miles’ relationship as the emotional engine rather than merely placing two popular Spider-Men in the same emergency.

The Spider corner of the slate is otherwise deliberately varied:

  • Spider-Man Noir reunites writer Alex Segura with artist Farid Karami for a mystery involving Peter Parker and Venom Noir. The noir label signals a crime-and-mystery-oriented spin on Spider-Man material, rather than a standard contemporary superhero setup. Segura has said the new story introduces mysterious, potentially familiar elements while putting its Peter under extreme pressure.
  • Spider-Punk, from Cody Ziglar and Justin Mason, gives Hobie Brown a longer solo story in Universe-138. Hobie investigates his bandmates’ disappearance and encounters new villain Mz. Negative as well as Scorpion.
  • Marvel SFX – Thwip is an anthology built around Spider-Man’s signature web-shooter sound effect. Jed MacKay, Stephen Graham Jones and Rainbow Rowell are among the writers, while Alessandro Cappuccio and Lucas Werneck are among the announced artists. An anthology collects separate stories, often by different creative teams, rather than advancing one continuous plot.
  • Daredevil #700 arrives as an oversized March 2027 issue by Stephanie Phillips and Lee Garbett. “Oversized” generally describes an issue with a larger page count or presentation than a routine monthly comic; no additional story details were provided.

For readers primarily following Peter and Miles, Crisis of Faith is the major date to circle. The other projects show Marvel retaining several distinct Spider formats at once: detective fiction, a punk-rock alternate universe, short-form creator showcases and a landmark Daredevil installment.

Related coverage includes Marvel Maps Out 2027 With Spider-Man Rift, Captain Marvel Relaunch and 1 Day Tease.

Carol Danvers gets a new #1 after Avengers: Armageddon

A new Captain Marvel ongoing series launches in May 2027 with G. Willow Wilson writing and Rachael Stott providing the art. Wilson, a co-creator of Ms. Marvel, returns to Carol Danvers following the events of Avengers: Armageddon.

The starting point is difficult for Carol. Marvel’s synopsis says she is in a bad place and will need to question what being Captain Marvel means, break rules and confront a threat that has been gathering in the shadows of the Marvel Universe for decades. That establishes a serious status quo, but it does not establish the threat’s identity, its connection to Armageddon, or how long other Avengers characters will feature. Those remain open questions.

The “#1” designation matters practically, even in superhero comics where history can be sprawling. A new first issue is usually a structured entry point: it starts a new series numbering sequence and announces a fresh creative direction. It does not mean prior Captain Marvel stories have vanished from continuity. In this case, the book explicitly builds from Avengers: Armageddon, so readers interested in the complete lead-in may want to keep an eye on that event, while the launch itself is still designed as Carol’s next chapter.

Marvel’s wider media universe also remains busy around characters from this corner of its catalog. For a separate screen-related update, see James Spader’s comments on how VisionQuest developed Ultron.

Magneto and the X-Men projects take two very different historical routes

Magneto: End of Days starts in February 2027 as an eight-issue limited series by Brian Michael Bendis and Andrea Sorrentino. The book will revisit key moments across Magneto’s more than 60 years of publishing history, with each installment told through a different point of view.

That framing suits a character who has occupied radically different moral and political positions over the decades: hero, villain and much in between. A limited series has a fixed planned length, unlike an ongoing title that continues without a stated endpoint. Eight issues give the project room to survey eras of Magneto’s life while making clear that it is a finite story rather than a permanent replacement for the X-Men line’s current books.

The perspective-based structure is the most intriguing announced detail. It suggests that the series will not simply summarize a chronology. Recounting major events through different observers can expose disagreement, bias and memory—especially valuable tools for a figure whose legacy has never been cleanly contained by one label. That is analysis based on the announced format, not a claim about plot specifics; Marvel has not revealed which viewpoints will anchor individual issues.

X-Men: Regulators, meanwhile, is a five-issue limited series from writer Mikki Kendall and artist Georges Jeanty, also beginning in February 2027. Spinning out of Uncanny X-Men, the comic follows a group of mutants in the late 19th and early 20th centuries. The team faces mutant hatred as well as real-world racism, an approach that makes the setting more than period decoration.

The named Regulators include John Slaughter Freedman, a four-armed gunslinger; psychic Mother Witchfire; Lady Henrietta, who can turn herself to rock; and marksman Michael St. Juniors. Their unusual abilities offer the visual language expected of an X-Men story, while the setting places their persecution within a period of explicit social and racial oppression. The announcement does not disclose a specific historical event, location or antagonist, so it would be premature to infer those details.

The present-day Uncanny X-Men title is also moving into a new arc, “Soul Deep,” with issue #37. Gail Simone and Juan Frigeri’s story will bring back Sarah Gaunt, who is pursuing Xavier’s legacy. Together, Regulators, End of Days and “Soul Deep” demonstrate three separate scales of mutant storytelling: a historical ensemble, an individual retrospective and a continuing modern arc.

Hulk’s finale, an uncertain new watch, and manga continuations

Hulk War: Infernal Rage begins in February 2027 as a five-issue event series and the final act of Phillip Kennedy Johnson and Nic Klein’s more than three-year Hulk run. The premise has Hulk possessed by an ancient entity called the Endless. As the Infernal Hulk, he is spreading destruction and corruption across the Marvel Universe, with the status of the real Hulk itself in doubt.

The event follows a sequence of one-shots: Infernal Hulk vs. Wolverine has already begun the line, and Infernal Hulk vs. Spider-Man and Infernal Hulk vs. Avengers are still to follow. A one-shot is a self-contained single issue, though it can function as a chapter or lead-in for a larger event. Here, the versus issues appear to broaden the crisis across different hero corners before the five-issue finale arrives.

January 2027’s Immortal Soldiers is a one-shot by Chip Zdarsky and Christian Rosado that also follows Avengers: Armageddon. Its premise asks who protects Earth when the public no longer trusts superheroes. Cover imagery has prompted a question about Nick Fury and Hydra, but no confirmed explanation of Fury’s involvement has been provided. The safest reading is that the cover is a tease, not confirmation of allegiance or identity.

Marvel’s partnership with Kadokawa continues with five manga projects. Manga is a Japanese comics form with its own publishing traditions and visual approaches; the announcement describes these as manga-inspired takes on Marvel characters, not as replacements for the main superhero line. The projects are:

  • I Am Iron Man by TERU
  • Spider-Gwen: Her Big Debut by Yamada Ryusei
  • Deadpool: Millionaire with a Mouth by Momoi Baisuke
  • A Venom story by Peperon that riffs on the character’s Lethal Protector material
  • Spider-Man: Shibuya Cross Line by Tokitokoro

All five are currently readable in Japanese. English translations are planned, but no dates have been announced. For English-language readers, that last caveat is important: the projects are confirmed, but an immediate English release is not.

What “1 Day” actually tells us—and what it does not

Marvel closes this run of announcements with a June 2027 save-the-date teaser that may be titled 1 Day. The language is compact and fatalistic: tomorrow is only a day away, and the future is not guaranteed. It may invite comparison with Spider-Man’s One More Day, but no direct connection has been confirmed.

For now, “1 Day” is best understood as a signal of a future reveal rather than a story premise. There is no disclosed creative team, no named hero, no official series length and no explicit declaration that it is an event. The clue is its June 2027 date; everything else is speculation until Marvel fills in the blank.

That restraint is the through-line in a busy slate. The announced comics already offer concrete entry points from January through May—Immortal Soldiers in January; Magneto: End of Days, X-Men: Regulators and Hulk War: Infernal Rage in February; Daredevil #700 in March; Crisis of Faith in April; and Captain Marvel #1 in May. June’s mystery looks positioned to keep the next stage of Marvel’s plans under wraps.