Quavo has revealed the full guest lineup for QRÖMELIFE, his forthcoming 14-track solo album scheduled for Friday, October 2. Executive-produced by Pharrell Williams, the project brings together a notably broad group of collaborators: Future, Offset, Lil Baby, Yung Miami, Justin Timberlake, T.I., Tyler, the Creator and A$AP Rocky, with Pharrell also appearing as a featured artist.

That collection of names does more than populate a crowded tracklist. It frames QRÖMELIFE as a project built around creative intersections: Atlanta rap peers, major contemporary voices and collaborators from outside Quavo’s usual lane. The album arrives after three rollout singles—“HAAVIN,” “Trance (Walk It Down)” and “Backwards,” the latter featuring T.I.—and Quavo has described the record as an expression of working through a difficult period of grief.

Its title uses the word “Qrome,” which Quavo connects to continuing forward, shining and emerging on the other side of hardship. That makes the Pharrell partnership especially central to the album’s stated identity. Executive production generally means an artist or producer has a guiding role over a project’s overall direction, rather than simply producing one individual song. The precise division of work across the album has not been detailed, but Quavo has credited Pharrell with guiding and creatively challenging him during the making of the record.

The QRÖMELIFE features at a glance

The revealed song-and-guest pairings make the album’s scope clear. “BA” teams Quavo with Future, while “Away” reunites him with Offset. Lil Baby appears on “Ball My Love,” Yung Miami guests on “HAOYU DEWDAT,” and Justin Timberlake is attached to “House Music.” T.I. is on the already released “Backwards.”

  • “BA” featuring Future
  • “Away” featuring Offset
  • “Ball My Love” featuring Lil Baby
  • “HAOYU DEWDAT” featuring Yung Miami
  • “House Music” featuring Justin Timberlake
  • “Backwards” featuring T.I.
  • “Baby Breath” featuring Pharrell Williams, Tyler, the Creator and A$AP Rocky

The standout on paper is “Baby Breath,” which combines Quavo, Pharrell, Tyler, the Creator and A$AP Rocky. It is the first collaboration between Quavo and Tyler, the Creator. It also marks Quavo’s first song with A$AP Rocky since 2017’s “RAF.” The four-person billing is important not because it guarantees any one sound—track titles and personnel alone cannot tell listeners how a song will ultimately play—but because it puts Pharrell at the center of a convergence that has not appeared on a Quavo project before.

Pharrell’s role offers the clearest connective tissue. He is the album’s executive producer and a “Baby Breath” guest, while Tyler, the Creator and A$AP Rocky join Quavo on the same record. In practical terms, it gives one song an unusually high concentration of artists whose presence will invite attention before listeners hear it. For an album campaign, that kind of track can function as a focal point without needing to define the entire album.

Why the Offset collaboration carries different weight

“Away,” featuring Offset, will naturally receive particular attention. Quavo has recently teased a prospective Migos reunion album with Offset as a tribute to Takeoff’s legacy. QRÖMELIFE is a Quavo solo project, not that teased reunion record, but the collaboration places the two artists together at a moment when their shared history is highly visible.

It is worth keeping those contexts distinct. A song by Quavo and Offset is a collaboration within Quavo’s solo album tracklist. The teased Migos reunion project is a separate, future-facing idea described as a tribute to Takeoff. Neither the tracklist nor Quavo’s comments supplied here establish a release timetable, tracklist or further details for that other project. The immediate fact is simply that “Away” gives listeners an Offset feature on QRÖMELIFE.

Quavo’s description of the album also adds personal context to why such a collaboration may resonate. He said the project was made last year while he was still dealing with grief and needed an outlet to create and express himself. He characterized QRÖMELIFE as a journey through tough times toward the other side, rooted in faith, family and music. That is an artist’s statement of intent, not a substitute for hearing the finished album, but it offers the most direct explanation currently available for the project’s emotional frame.

Three singles have already established the rollout

Before the full guest list arrived, Quavo had already released three songs connected to the album campaign. “HAAVIN” arrived first after earlier teasers. “Trance (Walk It Down)” followed, and then “Backwards” introduced T.I. as the first officially revealed album guest.

Rollout is industry shorthand for the sequence of material used to introduce an album before its release: teasers, singles, artwork, tracklists and collaborator announcements can all be part of it. Here, the sequence has moved from solo material and a T.I.-assisted song toward a complete picture of the album’s larger cast. The resulting order gives listeners a few actual tracks to hear while reserving the biggest unanswered questions—how Pharrell’s executive-production role is felt across 14 songs, and what combinations such as “Baby Breath,” “Away” and “House Music” sound like—for release day.

“Backwards” has a particularly straightforward place in that campaign because it pairs Quavo with T.I., another Atlanta MC. The track established one point on the album’s collaborative map before the social-media tracklist reveal expanded it dramatically. Future, Lil Baby and Offset further underline that Atlanta connection, while Yung Miami, Justin Timberlake, Tyler, the Creator and A$AP Rocky make the final lineup less geographically or stylistically narrow on its face.

What can—and cannot—be read from a stacked tracklist

A feature list is useful information, but it has limits. It tells fans who is credited and which songs to watch. It does not establish a song’s structure, who handles a chorus, how much each guest appears, whether the production changes across the album or what themes dominate individual tracks. Those details remain unknown until the music itself is available.

Still, the distribution of guests says something about the album’s presentation. There are seven named feature configurations across a 14-song project, including “Baby Breath,” which has three guests. That leaves room for Quavo to carry a substantial portion of the record himself while using collaborations as notable events rather than placing a guest on every song. Pharrell’s dual presence—behind the project creatively and on one track as a performer—further makes him more than a name attached to a single song.

Quavo publicly thanked Pharrell for helping steer him creatively at a time he says he needed that support. The gratitude gives the executive-production credit a personal dimension, while the release plan gives the collaboration an immediate test: whether the songs make the album’s stated movement from grief toward resilience audible on their own terms.

For now, QRÖMELIFE is defined by its October 2 target, 14-song length, three released rollout tracks and a feature list that includes both close rap-world connections and unexpected pairings. Fans tracking the wider rap-album calendar can also find related context in this look at Lil Uzi Vert’s next-album speculation. Quavo’s own rollout has reached the point where the mystery is no longer who will appear, but how those appearances fit the project’s personal premise.