Brandy and Monica are taking The Boy Is Mine to Las Vegas. The R&B stars have announced a 10-date residency at Resorts World Las Vegas, scheduled to run from May 29 through July 17, 2026.
Called “The Boy Is Mine Vegas Residency,” the engagement marks their first series of Las Vegas shows together. It follows their sold-out The Boy Is Mine tour, which concluded in December 2025, and arrives after further joint appearances at the St. Lucia Jazz & Arts Festival and the 2026 Essence Festival of Culture.
The announcement came after the pair performed their collaborative hit “The Boy Is Mine” on a Grammy-themed episode of Dancing With the Stars. While the duo’s reunion began as a touring proposition, the newly announced dates show that its momentum has continued well past that initial run.
Every announced Brandy and Monica residency date
All 10 dates are set for Resorts World Las Vegas in Las Vegas, Nevada:
- Saturday, May 29, 2026
- Sunday, May 30, 2026
- Wednesday, June 2, 2026
- Friday, June 4, 2026
- Saturday, June 5, 2026
- Friday, July 9, 2026
- Saturday, July 10, 2026
- Wednesday, July 14, 2026
- Friday, July 16, 2026
- Saturday, July 17, 2026
The calendar is split into two blocks: five shows across late May and early June, then five more in July. That structure gives fans more than one weekend window to plan around, while the Wednesday and Friday dates expand the options beyond a Saturday-only run.
What the residency is expected to build on
The prior The Boy Is Mine tour was built around both singers sharing the spotlight rather than treating their famous duet as a brief, end-of-show reunion. Brandy and Monica alternated through material from their individual catalogs, including hits and deeper cuts, before and around their joint moments.
That point matters because a residency is not simply a single concert placed in one city multiple times. The format is a recurring engagement at one venue, with attendees traveling to the performance rather than the production moving from market to market. For fans, the appeal is the chance to choose among several dates in a fixed destination. For a co-headlining show, it also creates room for a more sustained presentation of the partnership that the tour established.
There is no detailed set list in the announcement, so attendees should not treat any particular song order, guests, staging element or individual catalog selection as confirmed. What is established is the model: Brandy and Monica will again perform in a show centered on their combined history and their respective bodies of work.
That shared framing is significant for an event named after “The Boy Is Mine.” The song is the clear organizing idea, but the tour it inspired had a broader purpose: placing two distinct artists’ repertoires in conversation across an entire night. The Vegas run is positioned as a continuation of that approach, not merely a one-song booking.
From a one-time plan to an ongoing partnership
Monica said she did not originally see the joint tour turning into a residency. In her account, the scale of the connection became clear after the opening night. She identified direct communication as the central part of making the professional relationship work, stressing the importance of the artists discussing issues with each other rather than allowing outside feelings to steer the partnership.
“Originally, it was planned as a one and done,” Monica said, adding that the experience became “far deeper” after the first performance.
Her comments give the announcement useful context. A 10-show Las Vegas run requires more than the nostalgia value of a recognizable collaboration. It asks the artists to maintain a joint production over a concentrated period, coordinate creative decisions and present a consistent experience for separate audiences across weeks. Monica’s emphasis on communication speaks to the practical side of sustaining that arrangement.
It also distinguishes the residency from the usual shorthand around artist pairings. A collaboration can mean a single recording, an awards-show appearance or an isolated special event. Here, the two singers have already completed a sold-out tour, continued appearing together after it ended and are now preparing a fixed-venue engagement with 10 performances. The throughline is a working live partnership, not a one-off cameo.
Black Promoters Collective’s first residency
The residency is being produced by Black Promoters Collective. Its president, Shelby Joyner, described the Las Vegas engagement as the company’s first residency and said the earlier tour demonstrated how meaningful the shared stage was to fans.
That makes this more than a new batch of dates for Brandy and Monica. It is also a new format for the promoter behind their tour. Joyner said the company has built its business around supporting artists it believes in and listening to their audiences, framing the residency as an extension of that work into a new setting.
“Residency” is a term with a specific practical meaning in live entertainment: rather than traveling city to city, the show returns to a single venue for a defined set of dates. In this case, Resorts World Las Vegas is the common site for every announced performance. The schedule therefore has a different rhythm from the tour that preceded it, even if the central artistic pairing remains the same.
For people interested in the wider intersection of music events and pop culture, the announcement also lands amid a steady stream of artist-led activity beyond traditional album cycles. That can range from performances to community-facing events; for another recent example, see Wiz Khalifa’s appearance at Diplo’s Los Angeles Run Club.
Presale and general onsale timing
Several ticket-sale windows have been outlined for the residency. American Express presale begins November 11 at 10 a.m. PT. The artist presale follows the same day at 12 p.m. PT. Local presales begin November 12 at 10 a.m. PT, while general onsale starts November 20 at 10 a.m. PT.
A presale is an early ticket-purchase window available to a defined group before the general public sale. The announcement identifies three such stages: one for American Express, one connected to the artists and one local presale. Eligibility requirements, access codes, ticket limits, pricing, seating configurations and any additional terms were not included in the information provided, so prospective attendees should rely on the official sales channels for those details when each window opens.
The listed dates are especially useful for travelers because the residency does not run continuously. There is a gap between the June 5 performance and the July 9 return, followed by a closing stretch of five July shows. Anyone considering a trip should match travel plans to the precise date they intend to attend rather than assume the show is running every week throughout the period.
Why this announcement has weight
Brandy and Monica’s Las Vegas residency is the next stage of a reunion that has already moved beyond its initial premise. The sold-out tour demonstrated an appetite for a full co-headlining program. Subsequent festival appearances kept the collaboration active. The Resorts World run now turns that demand into a 10-performance destination engagement.
The limited facts announced so far leave important creative details open: no complete set list, production description or ticket pricing has been specified. Still, the essentials are clear. The residency is confirmed, all shows are at Resorts World Las Vegas, Black Promoters Collective is producing it, and the run spans late May, early June and July 2026.
For fans, the main practical takeaway is straightforward: there are 10 opportunities to see Brandy and Monica together in Las Vegas, with presales beginning November 11 and general onsale beginning November 20. For the artists and their production partner, the engagement represents a longer-term commitment to a pairing that was initially envisioned as much more finite.
