Phoebe Bridgers is expanding the North American run of her Lost Tour with 25 additional dates scheduled from February through May 2027. The new leg begins February 17 at Portland’s MODA Center and ends May 13 at Palacio de los Deportes in Mexico City, with arena stops across the United States and Canada in between.

Two of the 25 dates were already public: Bridgers is set to play the Coachella Valley Music and Arts Festival in Indio, California, on April 10 and April 17. The remaining 23 dates newly fill in a broad set of markets not included in the tour’s initial U.S. arena itinerary, including Spokane, Kansas City, Oklahoma City, Lincoln, Grand Rapids, Raleigh, Baltimore, Newark and State College.

It is a substantial addition rather than a handful of make-up nights. The run includes five Canadian concerts—in Edmonton, Winnipeg, Hamilton, Montreal and Ottawa—plus the Mexico City finale. Florida also receives three consecutive dates in Tampa, Miami and Orlando, while San Antonio is the lone Texas stop in this added batch.

How the ticket process is scheduled to work

Registration for the U.S. and Canadian shows is open through November 15. Fans who complete registration by that deadline may be approved to participate in an official artist presale on November 18. Registering after November 15 does not place a fan in that first group; instead, registrants will receive a code that can unlock access to a second presale on November 19.

The general on-sale is scheduled for November 20 at 10 a.m. local time. “Local time” matters here: the on-sale begins at 10 a.m. in the time zone of each venue, rather than at one simultaneous North American clock time.

Registration and a presale code should not be read as a guaranteed ticket. The stated process says timely registrants have a chance to be approved for the November 18 artist presale, and later registrants receive a code enabling the possibility of purchasing during the November 19 sale. Fans should keep those distinctions in mind when deciding which sale window to pursue.

The Mexico City date is included in the announced extension, but the supplied U.S. and Canada registration details specifically refer to those two countries. No separate Mexico City on-sale procedure is detailed in the announced information.

The phones are going away—for the duration of the show

The added dates will continue the tour’s Yondr pouch policy. Phones and other smart devices will be locked in Yondr pouches, creating a no-screen environment inside the performance. Put simply, attendees retain possession of their devices, but the device is sealed away rather than used during the show.

That means the usual arena rituals—recording a favorite song, photographing the stage or rapidly sharing clips online—will not be part of the intended experience. The policy is explicitly meant to remove the field of small screens and fan documentation from the room. Anyone planning attendance should treat that as a core condition of the event, not a minor venue suggestion.

There is a practical implication beyond social media: concertgoers accustomed to using a phone as their all-purpose tool will want to have any necessary plans settled before entry. The announcement does not lay out the operational details for pouch unlocking, accessibility, emergency use or individual venues, so attendees should look for instructions tied to their particular show rather than assume procedures not listed here.

Openers change as the itinerary moves

The support lineup is divided into three portions. Grouper is scheduled for the first two U.S. dates: Portland on February 17 and Spokane on February 18. Paper Wings then supports the tour from February 20 through March 25, covering the western and central dates before the run moves through the Midwest, Northeast and Canada.

Christian Lee Hutson is listed for the late-April Florida shows in Tampa, Miami and Orlando. The written overview describes Hutson as the opener for the “final three shows in late April,” while the date-by-date schedule also marks the May 4 San Antonio concert and the May 13 Mexico City concert with the same Christian Lee Hutson symbol. The published details therefore contain a small mismatch: the date list indicates Hutson on five shows, while the summary describes three late-April appearances. The individual dates are reproduced below as listed, without assuming which phrasing will ultimately control.

Before the expanded North American section begins, Bridgers has previously scheduled European arena dates from November 23 through December 12, with Isaac Wood and Anaïs listed as support across that run. The European schedule includes two nights each in Dublin and London, then dates in the United Kingdom, France, Belgium, the Netherlands, Germany, Denmark and Sweden.

For another look at the week’s broader music calendar, see this hip-hop and R&B release guide.

Newly added North American dates

February 2027

  • February 17 — Portland, Oregon — MODA Center (with Grouper)
  • February 18 — Spokane, Washington — Numerica Veterans Arena (with Grouper)
  • February 20 — Edmonton, Alberta — Rogers Place (with Paper Wings)
  • February 23 — Winnipeg, Manitoba — Canada Life Centre (with Paper Wings)
  • February 26 — Kansas City, Missouri — T-Mobile Center (with Paper Wings)
  • February 28 — Oklahoma City, Oklahoma — Paycom Center (with Paper Wings)

March 2027

  • March 2 — Lincoln, Nebraska — Pinnacle Bank Arena (with Paper Wings)
  • March 4 — Milwaukee, Wisconsin — Fiserv Forum (with Paper Wings)
  • March 6 — Grand Rapids, Michigan — Van Andel Arena (with Paper Wings)
  • March 7 — Cleveland, Ohio — Rocket Arena (with Paper Wings)
  • March 9 — Raleigh, North Carolina — Lenovo Center (with Paper Wings)
  • March 10 — Baltimore, Maryland — CFG Bank Arena (with Paper Wings)
  • March 12 — Pittsburgh, Pennsylvania — PPG Paints Arena (with Paper Wings)
  • March 16 — Newark, New Jersey — Prudential Center (with Paper Wings)
  • March 19 — State College, Pennsylvania — Bryce Jordan Center (with Paper Wings)
  • March 21 — Hamilton, Ontario — TD Coliseum (with Paper Wings)
  • March 23 — Montreal, Quebec — Centre Ball (with Paper Wings)
  • March 25 — Ottawa, Ontario — Canadian Tire Centre (with Paper Wings)

April and May 2027

  • April 10 — Indio, California — Coachella Valley Music and Arts Festival
  • April 17 — Indio, California — Coachella Valley Music and Arts Festival
  • April 22 — Tampa, Florida — Benchmark International Arena (with Christian Lee Hutson)
  • April 24 — Miami, Florida — Kaseya Center (with Christian Lee Hutson)
  • April 27 — Orlando, Florida — Kia Center (with Christian Lee Hutson)
  • May 4 — San Antonio, Texas — Frost Bank Center (with Christian Lee Hutson)
  • May 13 — Mexico City, CDMX — Palacio de los Deportes (with Christian Lee Hutson)

What this expansion means for fans

The newly announced routing is especially relevant to people who could not reach the initial arena run, because it is built around cities and regions described as missed the first time. Rather than clustering entirely around a few repeat markets, the itinerary reaches the Pacific Northwest, Plains states, Midwest, Mid-Atlantic, Florida and Canada before closing in Mexico.

For prospective ticket buyers, the clearest immediate action is time-sensitive: U.S. and Canadian fans who want a chance at the first artist presale need to register by November 15. Fans should also select a show with the opening act, travel distance and phone-pouch policy in mind. The result is a 2027 extension that is more geographically accessible for many North American listeners, but still deliberately structured as a screen-free arena event once the lights go down.